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Annie Leibovitz
American
October 1, 1949
Photographer
It's hard to watch something go on and be talking at the same time.
Annie Leibovitz
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Time
Go
Something
I feel very proud of the work from the '80s because it is very bright and colorful.
Annie Leibovitz
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Work
Because
Very
Computer photography won't be photography as we know it. I think photography will always be chemical.
Annie Leibovitz
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Think
Always
Know
My lens of choice was always the 35 mm. It was more environmental. You can't come in closer with the 35 mm.
Annie Leibovitz
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Environmental
You
More
My hope is that we continue to nurture the places that we love, but that we also look outside our immediate worlds.
Annie Leibovitz
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Hope
Our
Love
It's a heavy weight, the camera. Now we have modern and lightweight, small plastic cameras, but in the '70s they were heavy metal.
Annie Leibovitz
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Were
Now
Small
In a portrait, you have room to have a point of view. The image may not be literally what's going on, but it's representative.
Annie Leibovitz
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You
Going
May
As much as I'm not a journalist, I use journalism. And when you photograph a relationship, it's quite wonderful to let something unfold in front of you.
Annie Leibovitz
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Relationship
You
Something
There are still so many places on our planet that remain unexplored. I'd love to one day peel back the mystery and understand them.
Annie Leibovitz
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Our
Them
Love
I fell in love with the darkroom, and that was part of being a photographer at the time. The darkroom was unbelievably sexy. I would spend all night in the darkroom.
Annie Leibovitz
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Time
Would
Love
When you are on assignment, film is the least expensive thing in a very practical sense. Your time, the person's time, turns out to be the most valuable thing.
Annie Leibovitz
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Time
You
Out
In a portrait, you have room to have a point of view and to be conceptual with a picture. The image may not be literally what's going on, but it's representative.
Annie Leibovitz
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You
Going
May
I'd like to think that the actions we take today will allow others in the future to discover the wonders of landscapes we helped protect but never had the chance to enjoy ourselves.
Annie Leibovitz
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Future
Chance
Like
What I learned from Lennon was something that did stay with me my whole career, which is to be very straightforward. I actually love talking about taking pictures, and I think that helps everyone.
Annie Leibovitz
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Me
About
Think
When I started working for Rolling Stone, I became very interested in journalism and thought maybe that's what I was doing, but it wasn't true. What became important was to have a point of view.
Annie Leibovitz
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Very
Doing
Important
I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.
Annie Leibovitz
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Work
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Had