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Jay Mohr Quote: 'You know how to tell if ...'

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Profession: Actor
Nationality: American
Birthday: August 23, 1970

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Teacher You Know How Day Over Tell Movie Hung

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I don't think know if anything's going to translate anywhere. You're making a movie, you hope it's going to be funny, you can't think about how it's going to go over.

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Once you know how to make a movie, you can't not make a movie.

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If you aren't in over your head, how do you know how tall you are?

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I've always seen TV as... it didn't occupy the same rarefied space as literature, but it's art you can use day to day. I've never been hung up on where it figures in the hierarchy of learning.

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I made sure no butt cheek hung out. You know, the original Daisy, Catherine Bach's shorts were shorter than mine.

Jessica Simpson

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Something I miss terribly from the '60s - the most important phrase in the English language was, 'I got hung up.' Somebody says they got hung up, it's unassailable, you know? You don't go near that. Whoa! I know what that can be like.

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If you make a movie about Elizabeth I, how much of the dialogue is her real words? Audiences know when they go see a movie that it is fiction.

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I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.

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It hurts every day when you practice hard, but when this decathlon is over, I got the rest of my life to recuperate. Who cares how bad it hurts?

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You know, the bigger you get and the more success you have, the more people you can fill your house with to tell you how great you are. You can do that.

Lara Flynn Boyle

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You know, I once read a short story about how much you could tell about people from their shoes. You could tell where they had been, what they did, whether they were real walkers.

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Turn off the sound in a movie, and if you can tell what's going on, the movie should work.

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I think, with age, you learn that it comes in bursts and you've got no control over it. I'm not one of those people who says, 'I've got to write a song every day.' I just store up ideas, and really I have to wait until it finds me; I know when I'm ready to write. It used to frustrate me, but it doesn't any more. It's just how it is.

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A painting has a lot of advantages over other forms of communication. Unlike a movie, you don't have to put it into a machine and turn it on. It's just there every day. It's not limited by the element of time. It's a constant part of the home.

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Once you get to know me, you would know in a second that I am an East Coast girl. You can tell because I'm not flaky, and I will tell you how it is. I also walk faster than they walk in L.A.

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I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.

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I don't keep an ongoing dribble of updates of my day, but I tell little compartmentalized stories every day on Snapchat. I use it much more like making a movie than maintaining a diary. When people watch my 60-second clips, there's a beginning, middle, and end.

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Most cornmeal producers don't tell you when their cornmeal was milled, which makes it difficult to know how long the product has been sitting in the store before you bought it.

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Every time you go in, it's like starting over. You don't know how you did the other records. You're learning all over. It's some weird musician amnesia, or maybe the road wipes it out.

Beck

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I like the idea of movies having a magic element. How many times have you seen an actor in a movie who you know only as the character? It's wonderful, isn't it?

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